Slow Days by the Bay: A Season of Slowing Down

Eleven months ago, I retired from teaching. A year ago, my life looked completely different. I was still teaching full-time, and my mother was living with me. My days revolved around schedules I had very little control over.

As a teacher, your day runs on carefully planned blocks of time. Outside of school, you build more routines just to keep everything moving—family, household, responsibilities. Structure wasn’t optional; it was necessary.

When I first retired, my mother was still with me, and I built new routines around her needs. Then everything changed quickly after she had an injury that led to a hospital stay, then rehab, and eventually long-term care. My time shifted again—this time revolving around visits, paperwork, decisions, and the stress of navigating systems I never expected to understand. Even after things settled, I noticed I was still operating as if something urgent might happen at any moment.

You probably know the rest of the story since I started this blog. I decided to sell everything and travel, which led me to where I am now: a winter pause in Rockport, Texas.

When I first arrived in Rockport, I had already been traveling for about three and a half months. I didn’t realize how much I needed this pause. I spent the first week simply settling in. After that, I explored a little, but what I really needed was downtime and reflection.

Even with temperatures in the mid-seventies, I gave myself a kind of winter reprieve. I allowed myself to do very little. Slowly, small routines formed—sitting on the balcony at sunrise, writing reflectively, adding gentle morning stretches, taking daily walks. Beach walks happened whenever I felt like it. Some days I stopped by an art gallery. Other days I drove to Port Aransas to beachcomb. There was no pressure attached to any of it. I moved at my own pace.

What I realize now is that slowing down doesn’t happen automatically just because your calendar clears. It takes time for your mind and body to catch up. It took me a while to notice how tightly I had been holding everything together.

What’s shifting isn’t just my schedule. It’s my sense of worth. For most of my life, I measured myself by what I accomplished and how well I met expectations—my own and everyone else’s. Teaching reinforced that rhythm. Caregiving deepened it. There was always something to manage, improve, respond to. Now, for the first time, there isn’t. No colleagues. No evaluations. No one expecting me to perform. And I’m beginning to realize that I don’t need to fill that space. I can simply exist in it.

Giving myself the luxury of time allowed something to shift. My sleep evened out. My energy felt steadier. I wasn’t reacting all day long. I was choosing.

Now, about six weeks into this stay, I feel more lively and energetic. My routines have expanded to include more consistent fitness and a few art classes. I’m stepping out of my comfort zone and talking to strangers more easily. The difference is that these things feel chosen, not required.

Last week I visited my mom for a couple of days—it was good to spend time with her. But returning to the bay felt like coming home, in a quiet, settled way. I’ve always loved being near water, whether a lake, river, or ocean. Here, slowing down has allowed me to notice that pull instead of pushing past it. This season—the slower mornings, unhurried afternoons, and steady presence of the bay—feels exactly where I’m meant to be right now.

The Art of Going Alone: How It All Started

Travel journal and colored pencils on a vibrant mat at the beach — a peaceful moment of creativity and reflection by the sea.

For much of my life, my greatest masterpiece has not been a painting, a photograph, or a lesson plan — it has been my children. They were, and are, my best thing. Through all the years of balancing the wonders of motherhood with the joyful chaos of teaching — whether in the art room or the classroom — I carried within me a quiet longing to create, to explore, to discover my own artistic style.

Now, I find myself standing in a new season. I have retired from teaching, carefully tucked away years of memories, and let go of most of the belongings that once filled my home. In their place, I’ve chosen open skies, winding roads, and the promise of adventure. What remains with me — always — is family. My children, now grown, walk their own paths, and my grandsons, those little sparks of joy, light up my world in ways words can barely hold.

Feet walking along a sandy beach — a quiet moment of reflection and connection with nature.

And so begins The Art of Going Alone. It is not about loneliness, but about listening — to the inner voice that has long waited for its time. It is about seeking beauty in coastal towns and hidden streets, in the sway of trees and the rhythm of water. It is about experimenting with brushstrokes and photographs, discovering what feels authentic, what feels true.

This journey is not an escape but an embrace. I am not leaving family behind; I am carrying them with me — in stories, in phone calls, in the way my heart still dances when I hear “Grandma” or “Christmas Tree” (a story for another time). They are my anchor, even as I set out to sail.

I don’t know yet exactly where this road will lead. Perhaps toward an artistic voice I have not yet heard clearly. Perhaps toward new friendships, new places that become beloved, new lessons learned in unexpected corners of the world. But I do know this: life is too short to let dreams linger unspoken.

So here I am — reinventing, exploring, wandering, creating. This is my canvas now. And you are welcome to walk alongside me, as I learn the art of going alone.

Kari