Close-up of a heart created from scallop shells of varying sizes, surrounded by driftwood, grapevine, and wildflowers, arranged on sandy beach.

February Acts of Kindness: My Month-Long Project in Rockport


Before February had found its rhythm, I found myself on the receiving end of an unexpected kindness in a Starbucks drive-through. A stranger paid for my chai tea and drove off without waiting for thanks.

I had set out to make this month about giving — random and intentional acts of kindness — but it seemed kindness was already finding me first.

February marked the second month of my yearlong project to live more intentionally, and my focus was simple: to do random and not-so-random acts of kindness. I planned to give snack bags to the few homeless people I’d seen around town, drop off books at the Little Free Library, pay it forward in small ways, volunteer, leave “pocket hug” rocks in unexpected places, create ephemeral art on the beach, and support local businesses.

With shopping, I had a special plan: to visit every little shop in Rockport’s cultural arts district and offer a genuine compliment — either about the shop or its owner and staff. The idea came about when I realized that, despite my visits to Rockport, there were several shops I had never ventured into. This project was about spreading kindness and, hopefully, bringing a smile — whether through a compliment, a small surprise, or a fleeting piece of art on the beach.

One morning, I decided to begin with the beach.

While I was sitting on a towel shaping seashells into a heart in the sand, I heard a man calling out in the distance. Before I could fully register what was happening, a dog came running straight toward me, closing the space between us quickly. I let out a short, startled scream. He stopped just a few feet away, almost as surprised as I was, then jogged past me at eye level before returning to his owner who had been calling him all along.

My heart took longer to settle than the sand did. I smoothed the places where his paws had scattered the shells, then quietly resumed my work. There was little I could have done if the moment had unfolded differently, and I whispered a thank-you to God for my safety. The interruption felt like a small reminder that my little heart of shells wasn’t the only fragile thing on the sand. I brushed the sand from my hands and kept working.

It had taken me several mornings of beachcombing to gather enough shells to shape the heart as I envisioned it, though the large shell and sea star were not treasures I uncovered along the way. Even so, I felt content with that imperfect first attempt. Kindness, I was learning, doesn’t require perfection — only willingness.

As the month unfolded, I began to notice something unexpected: I was receiving far more than I gave.

One day at the library, I went to pay for printing and realized I was a dollar short in cash and they didn’t take cards. The librarian smiled and said it was fine — someone had left extra money in case another person needed it. At an artist reception, a woman I had never met sat beside me, introduced herself, and we quickly became friends. She even invited me to another art event hosted by her art co-op. A Winter Texan who volunteers at the art center remembered my name from a single previous encounter and invited me to a casual “sip and chat” gathering. I paused to chat with a young woman placing a book into the Little Free Library, only to learn that she regularly drives to surrounding towns, leaving wrapped books with bookmarks in each one.

On another day, I witnessed volunteers rescuing a wounded brown pelican — my favorite water bird. The sun was just beginning to set over the bay as two men moved slowly toward him. As they carefully secured him, he stretched out one long wing, almost tentatively, as if he were being gentle with them in return. There was a quiet patience in the moment — no panic, no struggle — just careful movements and steady hands. They gently gathered him up and placed him into a large cage in the back of their SUV. Watching them, it felt as though there was a kind of trust between bird and rescuer, a shared stillness that made the scene unexpectedly tender.

Pelican rescue by Wings Rescue of Aransas County.

Throughout the month, small conversations with locals slowly made me feel less like a visitor and more like I belonged.

Being an introvert, this month required more bravery and self-discipline than I anticipated. I’m naturally observant and reflective, someone who pays close attention before engaging. As a photographer and creative, I’m often the one behind the lens — noticing, documenting, taking it all in. So walking into unfamiliar shops, offering sincere compliments, and initiating conversations with strangers nudged me beyond my comfort zone. What looked simple on paper quietly required intention and courage.

Looking back on this month, I’m reminded of something I once heard: what we give often comes back to us. When we offer love, kindness, or attention, it often returns in unexpected ways. In Rockport, the simplest gestures — smiles, greetings, shared stories, and thoughtful acts — seemed to ripple outward, creating connections that were both gentle and profound. I felt seen, welcomed, and part of a community of people who genuinely cared for one another and their town.

February in Rockport wasn’t just about the acts of kindness I planned. It became a reminder that when we step forward with open hands — even imperfectly — connection has a way of meeting us there. Like smoothing scattered shells back into place, we begin again, and something gentle takes shape.

Bronze statue depicting early settlers together on a waterfront monument at night, illuminated under a moonlit sky.

Slow Down, Look Up: A Personal Photography Project

Beside the tranquil waters of Little Bay in Rockport, TX, stands a bronze statue depicting a group of figures. I drive past it almost daily. It was here when I last visited about a year ago. I even stopped and photographed it one morning because it was dramatically silhouetted in a glorious sunrise on my way to the beach. Even though I saw it frequently, I didn’t really see it. Not far from the sculpture stands a giant crab, a familiar sight for tourists that’s easy to pass without really looking. We do that, as humans. We go about our day taking things for granted. Living on the surface. But how often do we stop and smell the roses, as the saying goes? Well, this extended stay in Rockport has invited me to slow down and do just that. And my observation of this lack of seeing inspired me to purposely look at things, which then inspired me to do a little project, which inspired me to challenge myself to do a project each month. So here goes …

I decided for the first project (January) to simply photograph things at different times of the day just to see how they appeared in different light. So, I chose some things … the sculpture by Little Bay, the giant crab, Marge – the fishing boat, a larger boat, the view of the old downtown from beside the shell shop, and a couple of other things. Then I set up my parameters – I would photograph them at sunrise, morning, afternoon, sunset, and night. True to my MO, I saw the big picture and neglected to think about how it would actually feel to drive to the location five times a day (in any weather, even after dark), although I apparently live in a geographical oddity where everything is four or five minutes away—still, I was committed.

My first subject was the sculpture by Little Bay, which honestly, I knew nothing about. Turns out it is titled “Cultural Interface” by Texas artist Steve Russell and was unveiled in December of 2023. On the first day I rolled out of bed, got dressed, and left the house before sunrise. It was a particularly cold and windy morning. I sat in my car for a few minutes until I saw the beautiful orange color silhouetting the sculpture. I made a mental note of where I stood for each shot, took the shots, and returned quickly to my car. Done. When I returned for my second shots, the sky was a gorgeous blue, and the light was hitting the faces of most of the subjects. I noticed there was a sign with a QR code, so I opened the link as I hurried back to my warm car. When I got home, I read the information about the artist and the sculpture. The figures were representational of the cultural history of Aransas County and feature a family of three Karankawa’s, a group of Native Americans who lived in the area, a Spanish Conquistador, a pirate, and a monk. On the third visit to photograph the sculpture, I really looked at it. The sky was still a beautiful blue, but the angle of the light had shifted and illuminated the whole front of the subjects. This time I noticed the beautiful patina on the hair of the Native Americans. I noticed the peg leg on the pirate, the garments of the Conquistador, and the compassionate look on the monk’s face. When the time for the sunset photo rolled around, I didn’t really want to go again. I wondered if someone had been watching me on each visit, standing in the same place over and over—would they think I was crazy? Or maybe they would question their own sanity: didn’t I see that very same sequence of events earlier today? Anyway, I went and was glad I did. The sky faded from a powdery blue into a pale orange that blended into a pinkish purple. Such a soft, beautiful sky! I knew the color would disappear quickly, so after I enjoyed the sunset for a short while, I decided to go pick up something for dinner and then come back after dark for the last photo of the day. Moonlight and the lights from town lit the sky with a soft blue glow, though to the naked eye it seemed dark. So, one subject was completed and I felt satisfied.

I went on to photograph several other things with similar results. The crab had a storied history: first installed in 1957 atop a local restaurant, it was moved, repaired, and repainted over the years, surviving hurricanes before eventually being rebuilt by the community—and again rebuilt after Hurricane Harvey. I also photographed the historic downtown cultural district, observing the streets transform from a lone jogger to crowds flowing from coffee to shopping to dinner.

All in all, I’m glad I completed this project. Even though I occasionally had to make myself go, I followed through. There’s a quiet trust that grows when you do what you say you’re going to do. I learned things about the community that deepened my belief in the importance of the arts in Rockport and gave me a little more insight into its history. And mostly, I slowed down. I took the time to really look at things and be an observer in this little town that I love, feeling more a part of the community rather than like a visitor.

I’m looking forward to beginning my February project!

Exploring Rockport, Texas: Art, Nature, and Stillness by the Sea

So, where have I landed for an extended stay? I’ve landed in the small coastal fishing town of Rockport, a place I’ve dreamed of living in more than once. The town has a slower pace and a small-town vibe that matches what I am craving right now. Slow, quiet walks on the beach, the hiking trail, or even through town all invite me to reflect and slow down. And so far, that is just what I have done. After a few weeks of preparing, a few months of traveling, and the busyness of the holidays, I knew I would be ready for a pause.

One thing that I love about Rockport is the art scene. For a small town, it has a big artistic presence. It has several art galleries, an art makers market, and the Rockport Center for the Arts which is “a multidisciplinary arts hub” and is not something you would expect to find in a little fishing town. It actually features local and national artists and always has a variety of offerings from gallery exhibits to events and education. The town is also home to quite a few very talented artists. And then there are the murals … with their beachy, artsy vibe. You might say that art is the heartbeat of Rockport.

I’m sure there are others who would say that fishing is the heartbeat of Rockport. Quite honestly, I think that fishing might be the main reason most people come to Rockport. I’m not really very interested in fishing, but I have photographed the bait shops and fishing boats many times. And actually, I probably have photographed them every time I’ve been here. The same colorful bait shops are always here welcoming me back. It’s kind of grounding to see things remain the same over time. I love to just walk along the marina and look at the many and varied boats. There are a couple of sailboats that I recognize from one visit to the next – the Gypsy Pirate with its skeleton crew and the Irish Rover with its mermaid figurehead. Friendly reminders that some things remain the same, but just age with the weathering of time.

I suppose another group of people might consider nature the heartbeat of Rockport. There is the quiet draw of the sea, the nearby state park, and the many waterbirds that call Rockport home—or, like many people, are winter Texans. And then there are the outdoor activities like hiking, kayaking, paddleboarding, boating, birdwatching, beachcombing, photography, dolphin watching… and that’s all available here in town without mentioning nearby opportunities.

I’ve been here two weeks now and haven’t done much more than settle in, walk, and breath in the salty air. This pause feels like a huge exhale. I know I am blessed to be able to embrace this nomadic life, which allows me to travel slowly and to pause when I feel the need, allowing me the space to listen to my inner voice and trust myself. For this brief pause, this is my home base.

Have you ever paused in a place that feels like home, even for a little while?

– Kari

Sun City Center, Florida Adventures

This week has carried me to Sun City Center, a quiet Florida town that’s turned out to be the perfect setting for my second pet-sitting adventure. The rhythm here is slow and easy—golf carts humming down the streets, neighbors waving from driveways, and mornings that seem to invite you to linger a little longer. The two pups I’m caring for are gentle and content, which has given me plenty of space to wander and explore the coastlines nearby.

One of my first beach days was at Siesta Key, where the sand is so white and soft it feels like walking through sifted flour. It’s the kind of place that urges you to pause—where the horizon stretches wide and the whole day seems to expand around you.

Turtle Beach offered a quieter contrast, with darker, grainier sand and a peacefulness that feels made for slow thinking and unhurried walks.

One of the moments that stayed with me the most happened at the Apollo Beach Manatee Viewing Center. I spotted a mother manatee gliding alongside her baby, only a few months old. Manatees have always tugged at my heart—Amy and I swam with them years ago in Crystal River—and seeing them again, even briefly, brought that same sense of awe rushing back.

Anna Maria Island has been another sweet surprise. I spent a morning at Manatee Beach in Holmes Beach, where the shoreline stretches wide, the waves roll in gently, and the free island trolley passes by with a kind of old-Florida charm. It’s one of those places that makes you want to stay until the sun begins to sink.

Later, I wandered over to Historic Bridge Street and the old pier in Bradenton Beach. Once part of the original 1920s wooden bridge that connected the island to the mainland, the pier now feels like a little pocket of history—fishermen casting lines, pelicans drifting close, families strolling between small shops and cafes. There’s something nostalgic there, even on your first visit.

After visiting the beaches and wandering the pier, I even found time to take a dip in the neighborhood pool—a surprisingly warm and refreshing treat at the end of November. It felt like a little secret slice of summer tucked into the fall, a quiet moment to linger in the sun and water before heading back to the pups.

Even though my time here is short, this corner of Florida has offered more than I expected—quiet beaches, gentle wildlife, easy mornings, and places that carry a kind of timeless charm. Sun City Center has been a calming home base between beach days, pool swims, and dog cuddles, a reminder that the best adventures don’t always have to be big or far away.

– Kari

St. Augustine: A Walk Through History


St. Augustine is one of those rare places where history isn’t something you read about—it’s something you walk through. Cobblestone paths, salt-touched air, centuries-old stone walls… the entire city feels like a story unfolding around you. As the oldest continuously settled city in the United States, it holds a richness that’s hard to capture in just one visit—which is probably why I’m already planning a return.

Founded in 1565 by Pedro Menéndez de Avilés, St. Augustine sits between the San Sebastian River and the Matanzas River on a slender peninsula, just inland from the Atlantic. The Spanish influence is everywhere—tile roofs, courtyards, wrought iron balconies, and thick coquina buildings that have stood through sieges, fires, and eras of change.

I began my visit at the Old City Gate, where the streets behind it open into a charming network of historic shops, galleries, and preserved homes. Some of the walkways are still brick or cobblestone, and the mix of textures—weathered wood, stone, iron—creates a feeling that’s less like sightseeing and more like gently stepping into another time.

Tucked along St. George Street near the City Gate sits the Oldest Wooden School House, a charming reminder of early colonial life. Built by 1716, it’s one of the earliest wooden structures in the city and offers a glimpse into what school life was like for children in the early 1700s. Visitors can tour the little property and imagine a day in the life of students centuries ago.

Not far from the gate stands the Cathedral Basilica of St. Augustine, and it ended up being one of the highlights of my short visit. Sitting just off the Plaza de la Constitución, it’s the oldest Catholic parish in the United States, with roots reaching back to the city’s founding. When Pedro Menéndez landed in 1565, a priest traveling with him—Padre López de Mendoza Grajales—presented him with a cross. Menéndez kissed the base, the Spanish flag, and claimed the land for both Spain and the Church. The first Catholic Mass in the continental U.S. was celebrated that day.

The cathedral as it stands now was completed in 1797, and parts of the original coquina walls still remain. Inside, the blend of history and artistry is stunning:

  • Murals by Hugo Ohlms, installed in the 1960s, sweep across ceilings and walls.
  • Stained glass windows depict scenes from the lives of Saint Augustine and his mother, Saint Monica.
  • Hand-carved sculptures of Jesus, Saint Augustine, and Saint Peter frame the altar—where Jesus is shown in His resurrection, rather than His crucifixion.

It’s a place that feels both ancient and deeply alive.

From there, I wandered toward the Castillo de San Marcos, the massive 17th-century Spanish fort that still watches over the water. Built between 1672 and 1695, it’s the oldest masonry fort in the United States. Standing on its grounds, with the Matanzas River shimmering nearby, it’s impossible not to feel the layers of stories—pirates, soldiers, explorers, and ordinary people who lived their lives within sight of those walls.

Though I didn’t have time to visit on this trip, I also want to see the Fountain of Youth Archaeological Park, tied to the legend of Ponce de León’s 1513 landing. Knowing I was that close to the site of his expedition makes me even more eager to return and explore it properly.

Walking along the waterfront and wandering through the historic district, I realized how easily this city settles into you—quietly, but unmistakably. The tucked-away shops, the old stonework, the sound of church bells, the mix of Spanish and coastal southern charm—it all leaves an impression that lingers.

My visit was short, and there’s still so much I want to see. St. Augustine deserves time—time to wander, time to listen, time to let the centuries speak.

I’ll definitely be back. Some places simply ask you to return, and this is one of them.

– Kari

Western North Carolina: A Mountain Getaway of Charm, Color, and Quiet Wonder

My time in Western North Carolina felt like slipping into a familiar, comforting rhythm — a mix of mountain air, small-town charm, and the kind of slow wandering that lets you really see a place. This region has long been one of my favorites, and once again, it didn’t disappoint. I split my visit between Hendersonville and Brevard, two towns close together yet each with its own personality.

Hendersonville was my first stop. It’s nestled in the Blue Ridge Mountains, wrapped in soft ridges and shifting layers of color depending on the time of day. The town has grown since the girls’ trip I took here a few years back — more people, more energy — yet the historic downtown still holds the same charm I remembered. Local shops and friendly faces make you feel like you’ve been there before.

I spent an afternoon wandering Main Street, visiting shops and art galleries at an easy pace. Nothing rushed — just the quiet pleasure of browsing and discovering. I made a short trip to DuPont State Recreational Forest to see Hooker Falls, a gentle hike filled with that clean forest scent you can only get in the mountains. The falls were peaceful, and I lingered there, letting the sound of water become a kind of meditation.

There were still things I didn’t get to — Bearwallow Mountain, the Blue Ghost Fireflies that light up the woods in late spring, Jump Off Rock, Chimney Rock, the town of Flat Rock, and so many more hikes and waterfalls. Transylvania County alone has around 250 waterfalls, so I’ve only just begun to explore what this area has to offer. Plenty of reasons to come back.

A short drive away, Brevard offered a different kind of inspiration. Known for its artsy spirit and temperate rainforest climate, the town has a creative heartbeat that shows up everywhere. It’s also home to the famous white squirrels — little flashes of white that locals adore — though they remained as elusive as the fireflies on this visit. Still, their presence is felt in murals, artwork, and local stories.

Part of what made this stay unique is that it doubled as my first official pet sit — something I’ve started incorporating into my travels. It’s a gentle, practical way to experience new places a little more deeply while also offsetting travel costs. If you’re curious how it works, feel free to reach out.

The galleries in Brevard were a highlight. Many feature dozens of local artists, and the craftsmanship was incredible: wooden bowls shaped like sculptures, vivid paintings, mountain photography, jewelry, and fiber art that felt like stories woven into cloth. Every gallery was a surprise, and every artist offered a different way of seeing the world. I left feeling inspired — the kind of creative spark travel gifts you when you’re paying attention.

Both towns share that unmistakable Western North Carolina blend of nature, friendliness, and creativity. They’re different, but together they made my stay feel full and balanced — one town offering peaceful walks and familiar charm, the other offering color, art, and imagination.

As with every stop on my journey, I’m learning that travel doesn’t have to be dramatic to be meaningful. Sometimes it’s the steady rhythm of small towns, a conversation with a shop owner, the cool air on a forest trail, or the inspiration found in a piece of handmade art. I know I’ll be back — there’s more to see, more to explore, and always more to learn from these beautiful mountain towns.

– Kari

Meeting Malin: My First Troll

My first stop on this new nomadic chapter was Austin’s Pease Park, where I finally met Malin’s Fountain, one of the magical trolls created by Danish artist Thomas Dambo. For months I had longed to see one of his towering wooden sculptures, and stepping into that shaded grove felt like walking into a dream.

The path wound gently under live oaks, leading me closer until suddenly she appeared—vast, whimsical, and powerful, yet tender in her presence. Malin seemed to rise from the earth itself, sitting gracefully among the roots, her hands cradling a bowl to collect rainwater, a gesture both simple and profound.

Thomas Dambo’s trolls are made entirely from reclaimed wood and other recycled materials, and each one is part of a larger vision: to bring play, wonder, and environmental awareness into the world. His sculptures are tucked away in parks, forests, and unexpected corners of cities, inviting exploration, discovery, and a playful reconnection with nature. Knowing this, I felt a quiet thrill, as if I had stumbled upon a hidden treasure meant just for me.

There was something ancient and childlike about Malin at once. She rested with a sense of calm strength, yet there was curiosity in her posture, as if she too was exploring the world around her. Her hopeful gaze seemed to invite me to pause, breathe, and remember that wonder is always close at hand.

I lingered there, letting the quiet of the park and the artistry of her form settle into me. Art has always been a language I return to—sometimes loud, sometimes soft, but always guiding me toward reflection. Malin’s Fountain spoke in that way, reminding me that creation can be both playful and deeply rooted.

As I sat there, I thought of my children and grandchildren—each one a joy I deeply treasure. Malin, with her calm strength, curiosity, and hopeful gaze, seemed to whisper a reminder: to meet the world with open eyes and an open heart, to wander with wonder, and to carry my family’s love with me on every step of the journey.

This first adventure was a gentle one, but it felt like the perfect beginning. I left Pease Park with the sense that Malin had given me her blessing—a nudge to keep moving, to keep seeking, to keep listening to the stories the world is ready to tell.

– Kari