Trolls: A Field Study — A Whimsical Adventure at the North Carolina Arboretum

After my time in Hendersonville, I made a quick stop in Asheville to visit something I’ve been quietly excited about ever since I first heard the news: Trolls: A Field Study, the newest traveling exhibit by Danish recycle-artist Thomas Dambo. I’ve seen four of his giant 30-foot forest trolls on this trip — quirky, gentle giants tucked into woods across the U.S. and around the world — but this exhibit is different. These trolls are his “Baby Trolls”, standing only seven to nine feet tall… small by troll standards, but every bit as magical.

A Field Study of Us — Through Troll Eyes

The exhibit tells a story:
On the night he was born, a little troll named Taks wandered into the human world. What he saw surprised him — noisy machines, people rushing, screens glowing everywhere, and almost no one stopping to talk to the trees. When he returned to the forest, he shared his discoveries with his eleven siblings, and together they set out on a mission to study humankind.

That’s the heart of Trolls: A Field Study — twelve whimsical troll sculptures exploring the grounds of the North Carolina Arboretum from November 15, 2025 through February 17, 2026. Each troll has its own personality, posture, and curiosity. And each one is hand-built from reclaimed materials — fallen branches, pallets, twigs, and scraps that Dambo transforms into something imaginative and alive.

There’s so much joy in wandering the paths and stumbling upon them. Some lean in as if listening. Some peer through wooden binoculars. Some crouch quietly, observing. They’re playful, thoughtful, and just a little mischievous.

The Baby Trolls (And Why They’re Special)

Most of Dambo’s trolls around the world are towering, 20- to 30-foot forest guardians tucked into wild places. But these “Baby Trolls” were designed as part of an interactive, family-friendly experience. They’re still large and impressive — especially when you turn a corner and suddenly find one studying you — but they feel more approachable, as if they wandered just far enough from home to be curious.

An Unexpected Treasure Hunt

One of the most fascinating parts of this exhibit is the hidden layer of adventure woven into it. Each troll has a symbol, and if you collect all of the symbols from the twelve trolls in Asheville plus a couple of symbols from other Dambo troll locations in North Carolina, you can complete a sort of treasure map that leads to The Grandmother Tree.

I didn’t have time to do the full symbol hunt — I was only able to stop for a quick visit — but I love the idea of it. A slow-travel scavenger hunt, a bit of whimsy for adults and kids alike, and a reminder that exploration is always rewarded for those who linger a little longer. If you’re in the area for a few days (or traveling through multiple NC towns), this would be such a fun experience.

A Gentle, Playful Reminder

What I love most about Dambo’s work is that it always carries a message, and this exhibit is no exception. These trolls — made from recycled materials — invite us to see the world differently. To look up more. To wander slower. To return to the kind of curiosity we had as kids, when finding something unexpected on a trail felt like magic.

And in a world that often feels busy and fast, it felt grounding to walk among them, even briefly.

If You Go

Location:
The North Carolina Arboretum, Asheville, NC

Dates:
November 15, 2025 – February 17, 2026

What to Expect:

  • 12 Baby Troll sculptures
  • Gentle walking paths
  • Kid– and adult-friendly exploration
  • Symbol-hunting “field study” opportunity
  • Beautiful forest and garden surroundings
  • Peak whimsy

Whether you’re visiting Asheville for a day or exploring Western North Carolina for a season, Trolls: A Field Study is absolutely worth adding to your list.

Meeting Malin: My First Troll

My first stop on this new nomadic chapter was Austin’s Pease Park, where I finally met Malin’s Fountain, one of the magical trolls created by Danish artist Thomas Dambo. For months I had longed to see one of his towering wooden sculptures, and stepping into that shaded grove felt like walking into a dream.

The path wound gently under live oaks, leading me closer until suddenly she appeared—vast, whimsical, and powerful, yet tender in her presence. Malin seemed to rise from the earth itself, sitting gracefully among the roots, her hands cradling a bowl to collect rainwater, a gesture both simple and profound.

Thomas Dambo’s trolls are made entirely from reclaimed wood and other recycled materials, and each one is part of a larger vision: to bring play, wonder, and environmental awareness into the world. His sculptures are tucked away in parks, forests, and unexpected corners of cities, inviting exploration, discovery, and a playful reconnection with nature. Knowing this, I felt a quiet thrill, as if I had stumbled upon a hidden treasure meant just for me.

There was something ancient and childlike about Malin at once. She rested with a sense of calm strength, yet there was curiosity in her posture, as if she too was exploring the world around her. Her hopeful gaze seemed to invite me to pause, breathe, and remember that wonder is always close at hand.

I lingered there, letting the quiet of the park and the artistry of her form settle into me. Art has always been a language I return to—sometimes loud, sometimes soft, but always guiding me toward reflection. Malin’s Fountain spoke in that way, reminding me that creation can be both playful and deeply rooted.

As I sat there, I thought of my children and grandchildren—each one a joy I deeply treasure. Malin, with her calm strength, curiosity, and hopeful gaze, seemed to whisper a reminder: to meet the world with open eyes and an open heart, to wander with wonder, and to carry my family’s love with me on every step of the journey.

This first adventure was a gentle one, but it felt like the perfect beginning. I left Pease Park with the sense that Malin had given me her blessing—a nudge to keep moving, to keep seeking, to keep listening to the stories the world is ready to tell.

– Kari